“When I’ve left the audience feeling like they have traveled a journey through time, space, history, and explored a range of moods and feelings, I know I’ve done my job well.”
— Elizabeth Borowsky
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With an active performance career that began in childhood…

Elizabeth Borowsky has delighted audiences around the world with her introspective, communicative, and passionate performing style. Her solo performances focus on the romantic and contemporary periods, with a particular affinity for music of Frederic Chopin. Concerto repertoire ranges from Mozart, Beethoven, and Chopin to Gershwin and Shostakovich.

As soloist, Ms. Borowsky has performed in over thirty countries, at distinguished venues and festivals including Carnegie Hall, The Kennedy Center, the Beethoven House, Penderecki European Music Center, Concerti di Primavera, Klavierwoche International, and UNESCO's "Local Music Heritage in the Age of Globalization.” Her performances as soloist with orchestras have included the Tianjin Symphony Orchestra, St. Christopher Orchestra, Šiauliai Chamber Orchestra, Young German Symphony Orchestra,  Israeli Soloists Orchestra, Lublin Philarmonic Orchestra, Oregon Pro-Arte, and Gettysburg Chamber Orchestra. She was among the pianists selected to participate in the 10th International Chopin Competition in Warsaw and was awarded the Acte Preable Prize for Outstanding Interpretation of Chopin's Music, resulting in her solo album, “Chopin Recital.” 

Elizabeth Borowsky is represented world-wide by Intermuse Performing Artists Bureau.

Learn more about Elizabeth Borowsky’s life in music HERE. Official biography available HERE.


From the Press

Elizabeth’s performance and personality dismiss any preconceptions of classical music as elite, or being a music of the past. She is an engaging performer and can draw even the most reluctant audience member into her spell.
— Fidelio Magazine
“Elizabeth plays with interpretation, feelings, and elegance of the highest standard.”
— Dziennik Zachodny (Poland)
Borowsky found great eloquence and a rich reservoir of expression . . . developed rich, deeply satisfying colors, as well as demonstrated her extraordinary technique. She loves eavesdropping into tones, in order to make even the silence audible.

— Rhein-Neckar Zeitung (Germany)

discography

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